Independent initiative — not affiliated with any government or EU institution. All data aggregated from public sources: Eurostat, European Commission, EEAS, Kyiv Independent, UN.
20th century–present

Optical Illusion Art

Мистецтво оптичної ілюзії

Art built on ambiguous or double images, where a single painted surface reads as two different subjects depending on how the eye organises it. Rooted in the 16th-century composite heads of Arcimboldo and continued by Dalí's paranoiac-critical images and Escher's impossible figures; in Ukraine its best-known exponent is Oleh Shupliak, who calls his double-image canvases 'dvovzory'.

Artists of the Movement

Works from this Movement

The Moon Rose over the Dnipro
1980

The Moon Rose over the Dnipro

Ivan Marchuk

A moonlit nocturne over the Dnipro, Marchuk's largest treatment of a moonlit night, in which the whole surface is spun from fine looping filaments of paint. In June 2024 it set an auction record for a contemporary Ukrainian artist at the Goldens house in Kyiv.

wikimedia-commonspublic-domain
I was thirteen
2009

I was thirteen

Oleh Shupliak

A boy pasturing lambs outside a village, after the opening lines of Shevchenko's poem; the pastoral scene simultaneously forms the poet's own face. One of Shupliak's most reproduced dvovzory.

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Double portrait of Van Gogh
2011

Double portrait of Van Gogh

Oleh Shupliak

A Provençal landscape in Van Gogh's own manner that simultaneously reads as the Dutch painter's head and shoulders.

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Forest Song. Lesya Ukrainka
2011

Forest Song. Lesya Ukrainka

Oleh Shupliak

A woodland scene from Lesya Ukrainka's drama 'The Forest Song' that resolves into the writer's portrait.

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Wide Dnipr roars and groans!
2014

Wide Dnipr roars and groans!

Oleh Shupliak

A storm over the Dnipro, taking its title from Shevchenko's ballad 'Prychynna', in which the churning river and clouds compose a hidden face.

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Digital Cottage
2021

Digital Cottage

Mariia Holub

A traditional Ukrainian whitewashed cottage rebuilt out of pixel-like cells and glittering ornament, collapsing folk architecture into a digital surface. It is the clearest statement of Holub's move between village iconography and screen aesthetics.

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Evil must die!
2022

Evil must die!

Oleh Shupliak

An allegory of evil built from destroyed Russian military vehicles bearing the 'Z', inverted 'V' and 'O' invasion markings, painted on 5 April 2022. The artist released it himself under a free licence.

wikimedia-commonscc-by-sa
Scarce Swallowtail
2022

Scarce Swallowtail

Mariia Holub

A scarce swallowtail butterfly rendered as a field of interlocking patterned cells in high-keyed colour. The insect's wings become a pretext for the lacework structure that gave the exhibition its title.

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Lineage
2022

Lineage

Mariia Holub

A painting about descent and family memory, organised as a branching ornamental structure in the manner of a genealogical tree. It belongs to the group of works in which Holub treats pattern itself as a carrier of inherited meaning.

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